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So our participation in those were happening from the very beginning of their formulation and, you know, has been a resource and support for us from early on, like even before Visual AIDS was Visual AIDS. But then we started—you know, we were—you know, a lot of our identity as artists is also problematic in a lot of ways, because Visual AIDS, at least traditionally, has been by and large driven as visual art. And we're not painters, you know, we're not sculptors. Peter has always been super engaged in photography, you know, would have his photographs as being represented. But then also because we operate curatorially, and as presenters, and as community builders, those echelons of performative behavior start to factor into our participation in things and projects that Visual AIDS does.